![]() Looking back, the “YMCMB” era Wayne attempted to find the balance between his solo artistry and cultivating some of pop music’s most respected artists. Around this time, there was a noticeable dip in quality, which felt harder as Drake and Nicki began to eclipse him creatively and commercially. Finding a quirky female emcee from Queens, former child actor in Toronto and a lanky rapper with a future love for underage girls was a boss move. Well, that was until he began to build his Young Money empire. At this point, Weezy was initially thought of as unstoppable. In a time where album sales were steadily declining, the New Orleans native’s sixth album goes gold in a day and platinum in a week. Some could call this his “Best Rapper Alive” era. Let’s not forget the numerous amounts of unofficial releases, and the fact that many were referring to him (including his idol, Jay Z) as “Mixtape Weezy.”įast forward to 2008, Wayne is on top of the world with The Carter III. Not only did he make the best album of his career with Tha Carter II in 2005, being handicapped opened up a new creative lane for Wayne that would expand greatly by the time The Dedication II essentially changed the mixtape game. began to leave the Cash Money boat, the real first test for Wayne began when in-house producer Mannie Fresh left. Those who have followed him since Tha Block Is Hot understand the reinventions Wayne has been through during his iconic career. With that said, Weezy F Baby’s Tidal exclusive works in his favor as a fresh start.įollowing the bombastic Free Weezy Album opener and potential single of the year “ Glory,” there’s a moment on follow-up track “He’s Dead” where he croons, “Rest in peace to the Cash Money Weezy, gone but not forgotten.” That statement there is more than enough proof that Young Money has entered a new era. Then again, there are moments throughout the Free Weezy Album that have this lack of quality control more noticeable on anything past No Ceilings. There’s a level of urgency that hasn’t been present in both his lyrical delivery and content since Tha Carter II. At times, Tunechi feels like he’s sprinting to the finish line hoping for a record breaking time. This morning, esteemed HipHopDX contributor Kellan Miller called the Free Weezy Album “a dim holdover for more luminous releases on the horizon.” Spending several days with Lil Wayne’s eleventh studio album, that assessment is fair.
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